There are family-owned luxury-goods companies, such as Hermès in Paris, which began as a saddle manufacturer in the 1800s, serving the era’s carriage trade before it would expand to include venerable handbags as well as its numerous silk scarves, each emblazoned with a richly decorative design.įor many of us, the narratives behind the ornate monograms that adorn these iconic works are just as important as the items themselves. There are people like Chanel and Gucci, sometimes of meager means, working in near obscurity to create lasting and innovative garments and accessories that today fill the interiors of our favorite boutiques and, ultimately, the closets of our home. With the help of his sons, he opened a second shop in Rome and later launched his handbags, wallets and more. “Fashion is in the sky, in the street fashion has to do with ideas, the way we live, what is happening.”Īround the same time, a young former hotel bellboy named Guccio Gucci began to sell imported leather luggage from a small retail space in his native Florence, and it wouldn’t be long before he was overseeing a number of artisans who were making leather goods and other accessories. “Fashion is not something that exists in dresses only,” Chanel said. The young milliner would soon become pivotal to the evolution of both covetable casual wear and handmade high-fashion apparel, building a brand that has influenced countless designers all over the world. Working with simple lines and ordinary fabrics, Chanel created garments that she hoped would encourage women to leave extravagant clothes behind. By the early 1900s, she was helming a hat shop with help from her sister and her aunt.Ĭhanel made spare, unadorned hats at first, and the now-momentous “little black dress,” published in the form of a sketch in Vogue in 1926, symbolized her intention to design for all social classes. Later, as an impoverished teenager at a boarding school in central France, clad in the drab clothes of the underclass compared to those of her classmates, she furthered her needlework skills. Gabrielle “Coco” Chanel learned to sew under the tutelage of nuns in an orphanage. Behind the world’s revered luxury houses and designers, there are often accounts of modest beginnings that gave way to the resonant work we’ve cherished all of our lives. The label reads, ' De Velasco.įashion is littered with stories we can’t help but consume with voracity. This 1970s Moroccan black silk caftan has pink passementerie embroidery. With such versatility, it’s easy to see why the caftan’s appeal has endured for so long. The caftan’s simple but chic silhouette can be worn while lounging at home or dressed up with dramatic accessories for a night on the town. As seen in this Moroccan version, the caftan manages to seamlessly integrate stunning details like embroidery into a garment that is still very comfortable to wear. Garments like the caftan and its intricate embellishments were also reimagined by Yves Saint Laurent in his multicultural designs. His avant-garde, unisex caftans debuted at the 1970 World Fair Expo in Osaka, Japan. The caftan served as inspiration for some of the eras most iconic designers, like the innovative Rudi Gernreich. The traditional garment was adopted by several countries in Europe and then eventually made its way to the United States - where it was especially popular during the 1970s. The narrow silken braid is twisted into the intricate flowing design that borders every edge of this caftan and down its front. The loose tunics are historically adorned with ornate trims, like the pink passementerie on this black silk caftan. In Morocco, it was first worn by men but was eventually adopted by women, as well. It is believed to have originated from Turkish culture but appears in many others. The history of the caftan is a bit uncertain. This luxurious caftan was made in Morocco during the1970s, but is origins date back thousands of years and span the globe.
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